September 5, 2016 § Leave a comment
You can’t call Jimi King a “fashion designer,” even though he is quite a successful one. You can’t really call him an “African artist” either, even though he is an artist, and most definitely a proud African. Like many individual artists in the art and fashion world, Nigerian artist Jimi King is uncomfortable with labels. “I don’t like to be boxed in,” he revealed in an interview with Afrofusion TV on a recent visit to the Washington, DC area during his 2016 summer tour. Given the length and breadth of his experience, it’s understandable. In addition to fashion (wearable art, as he calls it) King does painting, sculpture and music (drumming). He has been a regular in Paris at the UNESCO Africa Week and Bazaar for the past five years, and participated in Africa Fashion Week London during the « Read the rest of this entry »
December 24, 2010 § 5 Comments
A 16th century Benin mask, whose image was famously used as the symbol of FESTAC ’77 (World Black and African Festival of Arts and Culture) is about to be auctioned off at Sotheby’s in London – unless a group of determined Africans can stop it. Efforts have been ongoing for years to have the mask, which is said to represent the face of Queen Idia, the first Queen mother of Benin, be returned along with hundreds of other priceless artifacts looted from the Kingdom of Benin in 1897 during a “Punitive” invasion by the British. But what galls many African art historians now is that the descendants of Lt. Col. Sir Henry Gallwey (later changed to Galway) are putting the mask, together with 5 other precious Benin art works, up for sale in February 2011 and hoping to get millions of pounds from them. Problem is, say historians, it’s stolen property.