February 17, 2017 § Leave a comment
She “broke the internet” with an Instagram photo of her African print prom dress in 2015; now 19 year-old Kyemah McEntyre is the featured designer at Harlem Fashion Week’s runway show in her debut collection at New York Fashion Week. Afrofusion TV was there as Harlem Fashion Week Founders Tandra Birkett and Yvonne Jewnell put together a radical, magical show that featured emerging and established designers, with part of the proceeds going to the rebuilding of the Slave Museum at Senegal’s Goree Island. Check out the video we put together, with interviews from Kyemah McEntyre, Yvonne Jewnell, Tandra Birkett, and celebrity stylists Brandon Hood and Jonathan Boderick. Tandra and Yvonne are also organizing a symposium on “The Business of Fashion” next month, March 25th in Harlem, to help educate new and established designers on ways to build their business. Be sure to check it out! You can also watch our highlight video on our Facebook page.
October 2, 2016 § Leave a comment
Afrofusion TV caught up with New York-based Jamaican filmmaker Karen Marks Mafundikwa after her film The Price of Memory screened at the African Diaspora International Film Festival in Washington, DC. in August. The documentary is the first to deal with the issue of reparations in Jamaica, and it had already screened at the Trinidad and Tobago International Film Festival and other festivals around North America. We wanted to talk to Ms Mafundikwa about what led her to pursue this topic on film, an issue regarded by many in the west as sensitive and controversial. You can find the full interview on our website; here is a condensed version that you can also watch on our Facebook and Twitter pages. The Price of Memory will be screened at Boston University Art Galleries, next Tues. Oct 4. The filmmaker will be in attendance. Let us know in the comments what you think once you watch the interview: what are your feelings about African descendants receiving reparatory justice? Bless…
September 5, 2016 § Leave a comment
You can’t call Jimi King a “fashion designer,” even though he is quite a successful one. You can’t really call him an “African artist” either, even though he is an artist, and most definitely a proud African. Like many individual artists in the art and fashion world, Nigerian artist Jimi King is uncomfortable with labels. “I don’t like to be boxed in,” he revealed in an interview with Afrofusion TV on a recent visit to the Washington, DC area during his 2016 summer tour. Given the length and breadth of his experience, it’s understandable. In addition to fashion (wearable art, as he calls it) King does painting, sculpture and music (drumming). He has been a regular in Paris at the UNESCO Africa Week and Bazaar for the past five years, and participated in Africa Fashion Week London during the « Read the rest of this entry »
August 28, 2016 § Leave a comment
This year the African Diaspora International Film Festival celebrated its 10th anniversary in Washington, DC at the Marvin Center on the campus of George Washington University. Over the course of three days, from August 19-21, the festival showed narrative and documentary feature films and short films from just about every corner of the African diaspora. The biographical documentary BadddDDD Sonia Sanchez, (2015) shared the opening night with another movie, Discipline. Noted Black Arts Movement poet Sonia Sanchez herself was in attendance together with one of the film’s directors Sabrina Schmidt Gordon, for a Q&A which was followed by a VIP reception where attendees
got to mingle, take photos with, and get autographs from Ms. Sanchez. The closing night films focused on celebrating the African religions still vibrant in Brazil and Cuba. Oggun, an old classic by Afro-Cuban filmmaker Gloria Rolando and Yemanja: Wisdom from the African Heart of Brazil, (2015) directed by Donna Roberts, who participated in a lively Q&A after the film’s screening. « Read the rest of this entry »
June 2, 2016 § 1 Comment
In the ever changing world of filmmaking, from the technologies used in its creation to the way we view the end product, a few things remain constant. For artists of color the world over, especially those of African descent, one of these is the importance of telling our own stories. Brazilian filmmaker Gabriela Watson obviously takes this very seriously; in her new documentary film Baobab Flowers, she tackles the problem of education inequality from an African Diaspora perspective by following two women high school teachers in Sao Paulo, Brazil and Philadelphia, USA. It is a film that seeks to show the endemic problem of low quality education in underserved black communities worldwide by focusing on two unrelated women who are nonetheless similar in their approach to teaching and to their relationships with their students, and also in their struggle to overcome such abject inequality. « Read the rest of this entry »
May 26, 2016 § 4 Comments
When Uche Ibezue of Omak Designs started African Arts and Fashion Week DC, her idea was not simply to bring attention to the nation’s capital as a fashion force. Grabbing the attention of the fashion market, both national and global, was an abiding aspiration. Last week, the third annual AAFWDC featured a panel discussion and fashion showcase, and many of the burning issues regarding African fashion were raised.
A few years ago it was nice to see a number of celebrities wearing African print designs to red carpet events worldwide. Famous names like Rihanna, Alicia Keys, Solange Knowles and her sister Beyonce, Angela Simmons, and even Gwen Stefani were all spotted in gowns and complete sets that were made from African prints like Ankara and Kente. The popularity of those designs has since trickled down to the young ones, the rebellious youth that are always finding innovative ways of expressing themselves. In that vein, a young lady “broke the internet” when she created a stunningly beautiful African print gown, posted it on Instagram, and « Read the rest of this entry »